Know Your Different Genres of Bass Music

Because the same elements occur across all genres of this style it's quite easy to get confused as to what is what. With the boom of technology, pretty much anybody with a midi controller and DAW (digital audio workstation) can start producing bass music. They then label it wrong and promote it all over the internet as dubstep when it may actually be drumstep, or neurofunk or neurohop.

Unlike other genres of music, this division of dance music is actually very easily identified. The quality that defines this type of music, is strangely enough, the tempo or the speed of the song. Here is a list of the most popular types of bass music and their tempos:

1. Dubstep is pretty much always at 140 BPM but drums are in half time which makes it feel a lot slower. The drums are usually swung as well. The kick and snare drum hits on every other beat. Artists include, Culprate, Nero, Flux Pavilion and Datsik.

2. Complextro is also at 140 BPM but the drums are not halved so it seems a lot faster. It's basically house music on steroids. The kick and snare drum hits on every beat instead of every other beat. Porter Robinson is a great example of a complextro artist.

3. Drumstep is typically at 160-170 BPM but the drums are also halved and highly syncopated giving this genre a groovy hip hop feel. Some artists include Noisia and Pendulum.

4. Drum and Bass is Drumstep's brother and shares the exact same qualities except the drums are kicking at full speed. Many drum and bass artists make drumstep so checkout Noisia and Pendulum once again. Camo and Krooked is another great artist to check out.

5. Moombahton and Moombahcore are set to a tempo of 110 BPM and incorporate elements of reggaeton. This genre is basically house music at a slower tempo.

6. The newest subgenre is neurofunk which is also sometimes called neurohop and can be mistakenly called glitch hop. This style is typically at about 90-100 BPM and incorporates swinging, syncopated drums with heavy modulated bass along with funky basslines and synths using notes of the blues or pentatonic scale. Neurohop has more of a hip hop feel than a funk feel but often times the two genres are combined.

So there you have it. Now you can pick these differences out like a pro and help others discern betwixt the two (don't you just love that word?) Dance on.

Make Your Karaoke Shows More Interesting

There are times when it might help to introduce some things to break up the monotony that can occur at a typical karaoke show. Offering props for the singers to use is commonly implemented by karaoke hosts. Below are some other suggestions.

Karaoke Contests These have gained an unsavory reputation. The absence of competent, impartial, judging is the main reason for this. Accusations of cheating and hurt feelings are very often the result of these contests. It's my recommendation that you should avoid contests altogether.

If the previous statement failed to dissuade you then at least try to follow this advice. Do plenty of advertising ahead of time. Nobody likes to show up for what they think is a standard karaoke night and have a contest sprung on them. Obtain judges who are not regulars of the establishment where the contest is to take place.

Make sure that the judges are prominently placed together in front of where the singers will be performing. Make it clear to the contestants precisely what the judging criteria is and the type of rating system that will be used. Display a list of the rules in several conspicuous places.

Karaoke Roulette This is undoubtedly the most popular game played at karaoke shows. The purpose of the game is to have the participants sing songs that they would never ordinarily sing. The songs are usually chosen by "luck of the draw".

Commonly the karaoke host will have tokens, with song titles on them, in a sack and each person must pull one out. They must sing the entire song to move on to the next round. Another option is to have all the players write the title of a song on a piece of paper and put it in a sack. Sometimes audience participation is used to obtain the song titles. This game is played entirely for its amusement value.

The Gong Show This is a good way to hold a contest while avoiding the hazards of a typical karaoke contest. Since the goal is to sound terrible the participants are unlikely to take it to heart. Costumes, props, and song parodies are all part of a gong show. After a minimum of one minute into a performance a judge may gong a contestant at which point they are escorted off the stage with a huge hook. The trick to winning is to make your act so interesting that the judges will not gong you. The eventual winner will be the most interestingly terrible performance.

Piano Sheet Music for Kids With Letters

Many parents search for piano sheet music with letters to relieve their kids of the pressures of reading music. There are good reasons for this: reading music is inherently hard and kids are often left confused and unable to enjoy playing. Hence the search for other "languages" for music besides musical notation, such as letters, numbers, and colors.

There are a few products that offer letters as a substitute for notes. It is very likely that you will have to put lettered stickers on your keys to give the child a visual reference point in order to make use of these methods.

The time honored tradition is to simply write the names (letters) of the notes directly above the notes (on the musical page) in question, giving the child at least a clue to the location of the note.

One advantage of this system is that it teaches the child the names of the keys (letters) as well as the physical sequence of actions required to play the song.

But there are disadvantages. Suppose your child is too young to know the alphabet securely? Letters are a little more difficult for children than numbers, as numbers are almost second nature to all kids.

Before selecting a method of avoiding reading music (numbers, letters) you might do well to rationalize for yourself why you are doing this.

The only reason to avoid reading music is that it is not pleasurable except to experts, and becoming expert is beyond a child and almost all adults.

Yet, the impulse is there to play music, just not through the medium of musical notation.

So your question should be, "What is the best way to avoid reading music?" rather than "Where can I find music with letters instead of notes?"

Step back a little and think about this: it is easier for a child to substitute numbers rather than letters for the notes of a song.

This is partly because numbers are usually learned much earlier than letters for a child, and thus are more firmly entrenched in their consciousness.

Numbers also have greater relevance to music theory, since numbers are the same as the classical intervals, and are used in chord symbols and in other ways in musical notation. Letters are used as well, but kids often become confused in the sequence of letters when taken out of context, but numbers are indelible.

Blues Scales Outcome With Heavy Metal Sound

"Metal is devil music". "Metal is demon praise music." Or even most awful "Heavy Metal is definitely the satanic force". Very often, these are the words that you'd get to hear coming from people relating to heavy metal.

And yet not a single person can really justify exactly what makes heavy metal the devil's music. What is the reasonable understanding of this kind of music that almost all folk marked this like the satanic music? For us to grasp that, we will need to go back on the background of rock metal.

A number of metal fans enthusiastically acknowledge that rock metal starts off with the United kingdom band Black Sabbath. Even so, you can find some people who thought the fact that it is established from Deep Purple and Led Zeppelin. Even so, Black Sabbath is victorious in the greater part on the vote.

The Evil and Metal

A very important stage of the metal history is when Tony Iommi the guitarist from Black Sabbath began to take advantage of the devil's note to his song compositions. Down the line their creative technique on the tritone is going to make it as the group's trademark music. The tritone may also referred to as the devil's interval and the flatted Fifth.

The Catholic Church contemplated the tritone being satanic music so in fact it has been covered up with the christian church through the entire middle ages. From the United States, the tritone in the blues scales was actually regularly used by the Africans to express an individual's suffering due to being a slave.

And so the answer precisely why rock metal is regarded to be evil is because of the flatted 5th note also know as the devil's note.

Where the hick the phrase "rock metal" came from?

During Black Sabbath's very early career, these people were a blues jazz rock band and employed the blues scales tab. However due to the tritone these people were able to put together a completely new type of rock music. During that time, not a single person knows what kind of rock music Sabbath were playing. Till one day, somebody termed their rock music as Metal. Most believed the concept originated in the large manufacturers in the UK processing heavy metal ore.

The metal sooner progressed and was separated in a number of categories. It advanced from merely musically satanic to both musically also lyrically evil. The evil element is the best common subject to a lot of death metal and black metal bands during the 80's era up to present. But the truth is, quite a lot of metal music bands in these days don't use any demon's note and do not have evil verses yet still are regarded as a satanic. So why? Merely because their particular music is extremely loud, they've got lengthy hair, their wearing out black t-shirts (having skulls on them), and most of all, their skin is wrapped with tattoo designs! Crazy! Isn't it?

In my own perspective, there isn't such type of thing as satanic music. The flatted Fifth is actually a component of the blues scales and I simply appreciate the way it sounds. In my opinion the point that makes a song wicked would be the lyrics and not the note itself. Any kind of music might be demonic. It's possible to worship Satan by setting up satanic verses in a pop song, hip hop, orchestra, or perhaps even state anthem.

Songs About Famous People

It is not at all surprising that there are so many songs about famous people. From the earliest days of civilization, people have looked for ways to pay tribute to people in their lives, particularly to those who are considered cultural heroes. Artists capture their images in paint or clay, and for musicians and song writers, the best possible way for them to show how deeply they care about the contributions that a person has made to the world, or even just to them personally, is to use the art form that they are most familiar with.

American Pie - Don McLean This song pays tribute to several well-respected rock and roll celebrities who were killed in a tragic airplane crash on February 3, 1959. Buddy Holly, Ritchie Valens and the Big Bopper were all killed in the crash. Their deaths were considered such a loss to the music world that the date became known as "the day the music died".

Candle in the Wind - Elton John Candle in the Wind was a song that was originally written in tribute to Marilyn Monroe, the iconic American movie star. The song originally used the words, "Goodbye Norma Jean", which the singer later changed to "Goodbye England's Rose" in tribute to Princess Diana after her death in an automobile accident.

All Those Years Ago - George Harrison George Harrison was a member of the iconic rock and roll band The Beatles. Although the group had broken up several years earlier, when John Lennon was murdered in New York City he wrote this tribute song in remembrance of the joy of their friendship and their work together.

Abraham, Martin and John - Dion Rather than being written about a single person, this song was written in tribute to four giants of social justice and progress, Abraham Lincoln, Martin Luther King, Jr., John F. Kennedy and Robert Kennedy, all of whom were killed by assassins.

Happy Birthday - Stevie Wonder Actually written as a protest song, Stevie Wonder penned the words to Happy Birthday as a reaction to the rejection by political leaders of a national holiday honoring the birthday of Dr. Martin Luther King, Jr., the national civil rights leader.

King Tut - Steve Martin Certainly one of the most unusual songs written for a famous person, King Tut was a comedy song written and sung by the comedian Steve Martin. Though some of the song's lyrics are quite silly, the song was extremely popular and served to familiarize young people about some of the history of the ancient Egyptian ruler.

Biko - Peter Gabriel Steve Biko was an anti-apartheid activist in South Africa in the 1970s. He was arrested after having taken part in a variety of anti-apartheid activities, and after his arrest he was beaten severely and taken to prison, where he died. The song is a tribute to him, and was featured in the movie Cry Freedom, which was about the activist's death.

Why You Can't Get Enough Practice Playing Guitar

"I don't have time for practicing." "Practicing is boring. I just want to play." "I hate practicing!" You may have heard (or used) these excuses yourself whenever the subject of practicing your guitar has ever come up, especially if you're an experienced player. I know I have. But if you're ever going to develop your skills as a masterful musician, you need to practice.

One of the most important tools you can have in life is a little word called "Patience." Why? Think of it this way: Do you think your favorite guitar heroes ever got where they are today by not having the patience to practice? Do you think Stevie Ray Vaughan, Eric Clapton, Jimi Hendrix, Steve Vai, Slash, etc. became the legendary guitarists they are without the discipline and the patience it takes to practice? I think not.

Sure it's fun to "just play," but to go from playing okay to playing extraordinary requires discipline. So let's talk about that for just a sec. Discipline doesn't have to be this chore that you are forced to do every day. It's a process of training yourself to be consistent. It's developing new routines that eventually become habits after only a few weeks. And when habits are formed via repetition, it becomes like second nature; it's no longer a chore.

Repetition is the key to good practice. If you are to learn anything on guitar, whether it be new or something you've known for a while and need to polish your skills, you need to utilize this invaluable tool called repetition. It's the bread and butter of good practice. And being able to play something more than a few times requires discipline.

Believe it or not, all your favorite guitar heroes play their solos, licks, riffs, etc. over and over and over and over and over... you get the picture. And not just on stage, either. The reason their playing sounds flawless isn't just because they're "just that good." It's because they've taking the time - the discipline - to play the same things constantly until they feel they've mastered them. Sitting on their tour buses, on their sofas at home, in the studio, during rehearsals; good guitarists play, but great guitarists practice what they play beforehand.

Taking Care of the Singing Voice

It is important for singers to take care of their voices especially if they would like to make a lifetime career out of it. Even some famous singers and artists have experienced losing their voice because their vocal cords have been damaged or injured because of too much strain on it. Some singers may also develop certain diseases like cancer which could affect their throat and other parts of their speech organ that they also use in singing. However, with the right perspective and good health habits, people may be able to preserve their excellent voice quality even as they age.

People have only one set of vocal cords for their entire lifetime so singers have to do their best in taking care of it so that they may enjoy sharing their good voices through singing. They will be able to do this by keeping themselves in the best of health always. Singers have to eat good and healthy foods as well. They also have to do regular exercises and to get enough sleep so that bodies remain in top condition. Singers may have to avoid some types of food like spicy ones as the acid in their stomach may rise up going to their throat. They are also advised to avoid drinking alcoholic beverages and to refrain from smoking if that would be possible.

Singers who would like to succeed and stay long in the music industry also have to live healthy lifestyles. They need to get sufficient sleep so staying up all night should be done sparingly as their bodies need to recover from stress and to repair itself during the sleep process. A healthy body will enable singers to sing powerfully as well because they have the energy to do so. Singers have to consider these things in order for them to be able to take care of their singing voice and to enjoy having it for a long time as well.

Aside from correct diet, healthy lifestyles, enough sleep and regular exercises, singers also have to learn how to breathe properly. They will have to do this even while they are speaking because they should see to it that their vocal cords are not strained as this can cause damage. They also have to do their vocal scale practices the right way. Practicing will really help singers to become better but they have to do it properly so that they do not cause any injury to their vocal cords. Singers need to remember these things and to do them as well if they would like to maintain their singing voices over the years.

Toadies - Play Rock Music

Remember this band?... It seemed like the Toadies ruled the air waves back in the mid 90's, after the release of Rubberneck in 1994. One song off that album, "Possum Kingdom," has even achieved somewhat cult status in recent years with new generations. Every song on that album was great, and then they just disappeared. Interscope records put the kabosh on their follow up album "Feeler," which finally saw the light of day in 2010.

One of the things I always liked the most about the Toadies was the dark undertones in their music. I have frequently heard the Toadies called "alt-rock," but they really defy most labels. Part grunge, part heavy drinking bar band, part west Texas/ZZ Top boogie, there is a lot to like about this band.

Well, the band from Fort Worth, Texas is back again. This time with Play.Rock.Music. The band has said in interviews that they felt more freedom recording this record than any other, that's good news for us, as the Toadies are best when they are unbridled and doing what they do best.

The album starts out with "Rattler's Revival," a great rockin' opener that made me very optimistic about the rest of the tracks. I was further rewarded with the next song, "Low." This is my favorite on the album, a loud guitar rocker that makes you want to push the pedal down while your driving. This song has pumping guitar and rock steady drumming that goes back and forth from bass line only breaks, to dual guitar down strumming. Songs on the album like "Magic Bullet" and "Epic Castles" keep the tempo and energy up.

"Summer of the Strange" has that dark feel, and is all about losing control/hold. Lots of whining guitar and rumbling bass lines throughout.

The closest you get to "Possum Kingdom" on this release would have to be "Beside You." A creepy song that says even though "you don't really know me," that "I'll always be closer than you know."

"Sunshine" is a twisted ballad, and another track that takes you back to Rubberneck, this time reminding me very much of "I Burn." A slower tempo song with a rumbling bass line that builds into Vaden Todd Lewis's trademark singing/screaming. The whole song keeps building and pulling back, like the New York Dolls classic "Frankenstein."

The song "Animals" is another classic sounding Toadies tune, about our primal human urge. It's another rocker that repeats "Tonight we're just two animals." Lots of tempo switches and a booming chorus.

"Laments of a Good Man" is a less serious song that is filled with jerky guitar and call and response versus. The chorus switches into a Rollins Band type slow, driving groove... "It's so hard to be a man, to be a good man."

Another style stand out is "We Burned the City Down." This track is a full blown Texas blues/boogie track, complete with slide guitar. The theme is a nihilistic commentary current living, "no longer slaves to modern ways" we burned the city down...

The album ends with the slowest song (the only slow song... ) on the album, "The Appeal." At over six minutes, it's also the longest on the album. This track features some chorus effect guitar, and a bluesy backbeat. But don't worry, there are some good build ups, but it never goes over the top like the rest of the album. You almost need the rest by the time you get to this track.

At the end of the day, this is an overall impressive release. Play.Rock.Music. could have easily been the follow up to Rubberneck back in the 90's. I guess what I'm saying is that this is a Toadies album, a real one. Although it is their 5th release, it is IMHO by far the most vibrant and complete piece of work they have put out since their debut. It's nice to have a good rock and roll album come out, it seems like that seldom happens anymore.

Maintaining Voice Quality Through Good Health

Singers who would like to maintain the quality of their voices over the years have to maintain good health. Taking care of their voices comes as result of taking care of their physical and mental health as well. Poor health will result to lower immune system that may end up in infections. When the throat or any part of the speech organ is infected, singers may not be able to sing properly. When their vocal cords are injured or are damaged, they will not be able to do anything about it. As a result, they may lose their good voice altogether.

Singers who would like to maintain good health know that they will have to eat properly, sleep well and do regular exercises. They will have to keep their bodies strong so that they may be able to practice regularly and to perform with energy on stage. Singers have to maintain their mental health as well. The way that they think of themselves contributes to the self-confidence that they have to build. Singers have to believe in themselves in the things that they are capable of achieving. A healthy body and a healthy mind will help them attain success in their singing careers.

Singers have to include foods that are beneficial for their health like fruits and vegetables as well as whole grains. They also have to drink plenty of fluids especially warm water as much as possible. This may be more beneficial to them after they have practiced or performed rather than them drinking cold and caffeinated beverages. Although singers need to be sociable, they have to control their intake of alcoholic drinks as well. They also need to abstain from smoking and staying up too late. These things may prevent them from attaining the best health stance possible.

Singers who would like to succeed have to do some sacrifices in order to preserve the quality of their voices year after year and performance after every performance. The way they live their lives will affect their health in general. Thus healthy living will lead to healthier outlook in life as well. All of these things are interrelated as it basically affects the health of most people. Those who stay healthy and strong definitely can produce better sounds. They are also able to preserve their good voices until their old age.

However, there are excellent singers who find themselves in poor health after a few years and some of them have lost the excellent voice quality that used to have. For those who are making careers out of their singing talents, they have to keep themselves healthy so they may benefit from their singing throughout the ages.

The Improvisational Nature of My Music

"Subtle material like those which exist in recordings of jazz and other improvisational music becomes more interesting and meaningful upon relistening."

- Brian Eno, The Studio as a Compositional Tool

This is one of the most interesting approaches to composition I use all the time. Although this is just a small part of what he says as a whole, the rest includes the idea that chance events and musical accidents left remaining in a studio recording - all things a composer didn't intend - take on an added significance when listened to over and over again on tape or CD. Without the opportunity or the sense of necessity that one must record over or edit out the accidents, the recordings of jazz, jam rock, and other forms of improvisational music can achieve an elevated sense of aesthetics unparalleled in other musical genres. This is especially true in music where performing the perfect take is what matters most during the recording process. In contrast, sometimes it's the chance events or musical accidents that become the reason why an audience listens, falls in love with a recording, and listens to it over and over again.

Similarly, outside of the studio environment the live performance can present the very same opportunity for an artist to experiment with one of their compositions, add or extend an improvised section thereby differentiating the performance from the recording, or perform with a passion way over the top of their norm and have that all come through on a recording of the live performance. With the live performance you have so many other elements that make it a unique experience because the live recording will often reflect how good the artist/composer really is, measure audience enthusiasm, and highlight the artist's personality and level of emotion on that specific performance. That's why I love live performance recordings so much for all of the reasons I mentioned above.

Now when it comes to the way I incorporate this practice of capturing or creating a chance event or musical accident, I like to sometimes start pieces from a short improvised piece of music. For example, I'll riff on a short melodic guitar solo I come up with, or I'll take an electronic drum pattern treated with an effect or a combination of two or more effects and record it. Depending on how excited I am about working on what I started with I'll continue working on other parts and build an entire piece around that original musical concept. All of it improvised and all of it immediate. I don't go through the trouble and delay of setting up and scheduling practice sessions to get it just right, looking for other musicians to play additional parts, or shelling out piles of money to hire an entire staff to get me from the conceptual stages to the finished product.

And what do I get musically? I get all sorts of finished pieces and songs of varying levels of quality. Whether that quality consists of high or low recording, compositional, or vocal quality, it spans a wide range. But overall I succeed more than I fail to get a good result. Why do I do this? Because I almost exclusively work alone making music as a hobby, I test my ability to work on the spot and off the top of my head by improvising on my own recordings. When I make a mistake I usually don't edit or record over it unless it's absolutely hideous. But if it's small or even unusually pleasant I'll leave it in because it has a special something I would never have been able to plan on or create deliberately otherwise.

So in a nutshell, the improvisational nature of my music effectively consists of improvising from the beginning, recording the original concept, then soon afterward or much later adding tracks in a new unit of time. Whenever I add a new track I work as though the piece is new to me and devote my full attention to the new element I'm going to add. So every part I add becomes the only part I'm contributing, at least that's the game I play in my head, and I work that way up until I have to mix and master the piece to completion.

Is Hip Hop Dead, and Has It Ever Been Dead?

Recently in an interview, Michael Dyson asked Queensbridge rapper Nas, "In 2006, you said hip hop is dead. [Currently] is it dead, or has your resurrection made it a living art form?"

Nas, in a rather verbose manner, finished by saying "I think right now it's on a respirator."

So why is it on a respirator instead of being healthy and alive? Well, many have nostalgic answers, pointing to rap music in the 80s and 90s, claiming that back then, we witnessed 'real hip hop'. And rap music right now, the music that promotes violence, sex, drugs and narcissism, is without a question 'fake hip hop'.

What these answers fail to neglect, of course, is that rap at its peak was as much about violence, sex, drugs and narcissism as it is today.

Yet, it's the same people who wistfully wish for the return of real rap on a Kool G Rap video that lament Rick Ross' new music; the same people who vibe to Inspectah Deck's Triumph verse that say Crooked I lacks subject matter, and the same people who love old school, Grandmaster Flash and the Furious Five rap that say party music is awful.

Going beyond music, many have gone one step further and criticized the entire hip hop culture as a whole. Recently, a skinny jeans trend in the culture became popular, and simultaneously, so did criticism about the anti rap-ness of it. A comment I see on YouTube ever so often is "Support real rap, and not that skinny jeans stuff". This, as I'm sure many can envision, is one of the comments I loathe the most on YouTube as the people making these comments clearly don't know about the origins of skinny jeans in the culture. Street clothing from the days of hip hop's inception included skinny jeans; ever heard of Run-D.M.C?

As can be seen, a lot of the principles of rap in the 80s and 90s are seen today. It's not the exact same, but rap is about evolution. Right now, the game isn't the same as it was a few decades ago. Sample laws have completely changed production, and the accessibility of the genre has increased, and as a result, so has the popularity and lucrativeness. Modern rappers are just adapting to current circumstances, and rap is evolving like it should. I think, soon, with rap losing its commercial appeal, will evolve again. But that doesn't make today's rap 'fake hip hop' or golden age rap 'real hip hop'.

The author is a hip hop fanatic who grew up in New York during the Golden Age era in the early 90s. Since then, he's been fanatically following the genre on all fronts for nearly two decades: old school hip hop, golden age hip hop, underground rap and even new rap music. If you want to learn more about the genre, or disagree with my article and want to debate, follow Rap Music Kings to comply with your needs..

Top Ten Beatles Songs

The Beatles are arguably, wait, no argument, I think they are, the most important group in pop music history to date. Transforming the very way songs are written recorded and released, most, if not all popular music owes them a nod, and some a heavy debt. Before The Beatles songs were written in offices by professional songwriters and microphones at professional studios were placed with scientific accuracy at measured distances to the instruments and amplifiers. The Beatles broke ground in music video making, film making, and even starting their own record label and signing independent artists and has a retail shop selling clothing. You name a groundbreaking advance in pop music and they probably did a version of it at some point, including "sampling' sounds and found music to put into songs. You may be tired of hearing some of their songs, but they were both of and ahead of their time.

1- She Loves You - Single

The first time I heard The Beatles, it was probably this song. The palatable joy of these four mates making a racket and on their way up to the "topper-most of the popper-most" is infectious and still rocks and pops with youthful energy.

2- Run For Your Life- Rubber Soul

Here's the sharp tongued John threatening a girl with "death' (or at least saying "I'd rather see you dead... ") if she stays with another man. Not very PC in these times.

3- Tomorrow Never Knows - Revolver

This track is another John Lennon 'out of nowhere' original. Where he got the musical inspiration for this epic trance-like and rocking track, I don't know. He did tell engineer Geoff Emerick and producer George Martin that he wanted his vocals to sound like the Dali Lama singing from a mountain top. It sounds like that.

4- While My Guitar Gently Weeps - The White Album

George Harrison's songwriting was apparently never fully acknowledged by the elder Lennon and McCartney duo, but here is a timeless classic with amazing guitar by Eric Clapton, whom I've never been to fond of but here he burns. Maybe it has something to do with him shagging George's wife.

5- Twist and Shout - Please, Please Me

Ok, I know The Beatles didn't write this song, (Phil Medly and Beryt Russel composed it) but it is the quintessential John Lennon rocker vocal. This was the last song recorded for their UK debut album Please, Please Me and producer George Martin left it until last because he thought that John would blow out his voice and he was right and the results are beautiful.

6- Julie - The White Album

John's achingly beautiful song to his deceased mother, Julie. I have always been fascinated with the unique chord changes and haunting melody that this song evokes. This is John Lennon at his most venerable and tender. The double tracked guitar and vocal foreshadow Elliot Smith's whole recording style.

7- Day Tripper - Yesterday and Today

One of the ultimate guitar riffs ever put to tape. Someone, somewhere is playing it right now. This is a Lennon-McCartney collaboration, with John coming up with the guitar riff and choruses and Paul working on the verses.

8- Michelle - Rubber Soul

This song features a melodic bass solo played by Paul. The story goes that Paul wrote the song as a joke to entertain friends at parties grumbling fake French words while singing. John encouraged him to turn it into a proper song and voil�, a classic song is born.

9- A Day In The Life - Sgt. Pepper's Lonely Hearts Club Band

This song has to be on the list for many reasons. First, it is a true Lennon McCartney collaboration as the first third is written and sung by John, Paul sings and wrote the second third and then it returns to John as we approach the epic cacophonous symphonic outro. The song is unique in its arrangement, tempo changes, middle break and atonal orchestra build up, culminating in a final note that decays for a full 42 seconds.

10- Hey Jude - Let It Be

Does this song have the ultimate sing along outro? Maybe, but here's Paul seemingly effortlessly tossing of a timeless classic with the ease of only someone totally comfortable with their own musical genius. Hat's off to you, Sir McCartney.